The Double Bind, by Chris Bohjalian
Note: This is Book #1 for me in the Spring Reading Thing Challenge 2007
Remember when you first watched the movie, The Sixth Sense, and once the reveal was made at the end, you immediately wanted to sit through it again to catch all the little clues you missed the first time?
Yeah, I didn’t have to do that. I saw all the clues in the movie the first time. In case you haven’t seen the movie, I don’t want to spoil it — but I knew what’s-his-name was you-know-what. I saw the use of that one color as a sign. I saw the lack of interaction between certain somebodies and what’s-his-name. The ending didn’t surprise me in the least.
I can’t say that about The Double Bind. I am still reeling from the ending. And I’m kicking myself that I didn’t see it coming — and as the hours tick on since I finished the last page, little instances from the book keep popping in my head, taunting me. What should have been obvious, or at least struck me as curious, were not and did not. Bravo, Mr. Bohjalian. I have never wanted to immediately re-read a book I just finished, but I do today. However, I’ll forgo that indulgence to keep making headway on my other reading challenges — but I will return. I will most definitely return.
This book also ties into the classic novel, The Great Gatsby. So I have added it to my list of books to read, which I plan to read before re-reading The Double Bind. Maybe that will help bring to light even more little nuances.
Since I don’t want to get too far into the plot, I’ll just add this passage from the Barnes & Noble Web site:
In Chris Bohjalian’s astonishing novel, nothing is what it at first seems. Not the bucolic Vermont back roads college sophomore Laurel Estabrook likes to bike. Not the savage assault she suffers toward the end of one of her rides. And certainly not Bobbie Crocker, the elderly man with a history of mental illness whom Laurel comes to know through her work at a Burlington homeless shelter in the years subsequent to the attack.
In a narrative of dazzling invention, literary ingenuity, and psychological complexity, Bohjalian engages issues of homelessness and mental illness by evoking the humanity that inhabits the core of both. … The breathtaking surprises of its final pages will leave readers stunned, overwhelmed by the poignancy of life’s fleeting truths, as caught in Bobbie Crocker’s photographs and in Laurel Estabrook’s painful pursuit of Bobbie’s past — and her own.
If you haven’t read this book, I whole-heartedly recommend it. If you have read this book, please let me know — I would love to know what you thought of it. And have you re-read it yet?











