
Lennon in America: 1971-1980, Based in Part on the Lost Lennon Diaries, by Geoffrey Guiliano
Remember The Telephone Game? When one person would say something to a second person and then the second person would tell the same thing to a third person, and so on, and so on, until you reached the end of the line? And whatever the last person heard wasn’t remotely close to what the first person said?
The entire time I was reading this book, I had the distinct impression I was the sorry soul at the end of the line.
I knew I was in for disappointment before even finishing the introduction. The author rambled on for five pages as to why this book depicts the real John Lennon and every other biography is bunk. Not exactly a savvy ploy in my book, especially since there was no mention anywhere in the book that the author had even met Lennon. I got the creepy late-night infomercial host vibe right out of the starting gate.
Then, there was the book itself. The writing was sophomoric, the thoughts random and the facts and cites completely absent. The few parts that seemed somewhat realistic or honest were those that seemed to be pretty much public knowledge. Even the Publisher’s Weekly panned it:
In an attempt to build the most “human” Lennon composite–libidinous, possibly bisexual, drug-addled, self-loathing and Yoko-controlled–Giuliano spent 16 years interviewing Beatles insiders, listening to rare audiotapes, amassing Lennon’s personal correspondence and examining his much-talked-about unpublished diaries, of which Giuliano obtained a copy in 1983. “Can you imagine,” the longtime Beatles biographer gasps in his introduction, “what it feels like to hold in your hand a document you know has the power to change the course of Beatles history completely and forever?” After trumpeting a publishing revolution, he then warns readers that they “will not find in this book the voice of John Lennon as quoted from his diaries.” Nor will they find paraphrases, because Lennon’s entries “were often incomplete thoughts and snippets–the exact meaning of which is difficult to discern.” If Giuliano’s own double-talk isn’t enough to diminish this work’s credibility, his endless, voyeuristic descriptions of Lennon’s sexual encounters are. Giuliano believes that Lennon’s mother, Julia, who allegedly placed her son’s hand on her breast when he was 14 years old, is to blame for his hero’s idiosyncrasies. At first Giuliano’s intentions to give Lennon admirers “some truth” seem earnest, but in the end it seems that he seeks only to shock. “It’s very unhealthy to live through anybody,” Lennon said after Elvis’s death, but Giuliano keeps trying to worm his way into Lennon’s soul in this crude, predictable exhumation.
In short, this book was a disappointment. I wanted to learn more about my favorite Beatle but that just didn’t happen.